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La Musique Fantaisie de Cindy

26 febrero

梅西安:圣婴二十默想。。。

《圣婴二十默想》。。。听起来,在我的耳朵里。。。跟。。。阿尔贝尼斯的《伊比利亚》。。。效果大同小异。。。
 
真不好意思。。。
 
为什么越“高深”,越“难听”。。。
 
《伊比利亚》说心里话,还是有点儿魅力的,里面的和声和节奏,然人觉得很新鲜。但是还需要花时间来了解、接受全部。
 
对于《圣婴二十默想》,它到底在说什么?里面有鸟叫的元素吗?(这么暴躁,不把鸟儿吓跑才怪。。。)
11 diciembre

Un rêve de l'hiver

Je suis tres fatiguee...Note
 
Parsque... parsque... parsque... J'ai les ailes du ciel... mais ne peut pas vouler...Note
 
Je voudrai chercher une place tranquille. Oui, c'est une place dans mon coeur... Note
 
Qui peut m'aider? Sais pas... J'ai un rêve dans les arbres, le soleil tres agreable, il y avait une petite maison, vivait une fée...Note
 
Elle m'a dit que le cœur pur est à l'intérieur de la musiqueNote
 
Elle m'a dit que je dois aller en travers de la rivière, sur la montagneNote
 
Là, j'ai pu trouver la musique, et le cœur purNote
 
Alors j'allais sur la route, de trouver de la musique et le cœur purNote
30 agosto

有关钢琴和艺术的问题2:

1.       谁能告诉我踏板怎么踩?

 

2.       举个例子:肖邦的革命练习曲Op10  No12:是不是每逢左手的小二度模进都可以用踏板抖动处理?怎么抖动?是集中于踏板的上半部,还是下半部效果比较好?(谁能回答我给谁鞠躬!!!!!!!)

有关钢琴和艺术的问题:

1.       我在听巴赫的钢琴组曲,你说组曲之间什么关联?为什么那么一串就能是一组?讲的是什么故事?还有,我觉得好多曲子好不容易演奏完了,听起来还像没完一样,a小调英国组曲BWV807就是。是我的感官出了问题还是我不了解西方音乐?(不过说实话我民乐还不如西方音乐有感觉呢)。

 

2.       演奏的时候,轻重缓急的控制对我来说很难。而且好像耳朵也没那么高的分辨能力,比如肖邦的革命练习曲Op.10.No.12,我听CD听不出来很多很细微的渐强渐弱;我自己弹更是听不见,但别人告诉我,我弹起来全部一样力度,像砸夯。还有“柔和”,好像比“粗暴”还难做,曾经某位专业人士说听我弹贝多芬《月光》第一乐章就像祥林嫂哭她儿子,第一次,第二次,还有人可怜她,到了345678次。。。。就。。。。哎。

 

3.       怎么接受近代的作品?我听起德彪西那些印象派,阿尔贝尼斯奇怪的西班牙《伊比利亚》,音乐会上听肖斯塔科维奇,斯特拉文斯基。。。就觉得除了奇怪之外,没了。怎么才能接受他们呢?他们为什么伟大?怎么才能看见他们的谱子不觉得恐慌?

22 enero

Entry for January 21, 2008: Life...

During the passing 25 years of living in this world... well, it is fun to know that life is so very colorful. With friends, with all kinds of education opportunity, with a healthy body, with a family that loves me because of love... i feel so very lucky, truely!

"life is hard, but not difficult..." is said by one of my best friends.

It is so true: it's hard to make decisions; it's hard to tell right from wrong (esp. when different people see the same thing); it's hard to get a life you really want, for you have to sort things out from a whole bunch of info that massed up together, that you maybe confused when having attractive info which could higher your desire, while you don't actually need...

The mass media is a very good example. People get to know singing star, movie start, latest fashion, air-crush in far away country, political leaders ... so on so forth...

But, what do YOU actually need? What kind of life that YOU want to lead for the rest of your life? How hard could be for you to get there? How many books you have to read? How many people you have to meet? How much lonely time that you really need?

Only yourself could tell...

Best wishes to whoever read this...

year end 2007 entry: UWP, i miss you darlings...

Dearest Cast A,

I don't know, i miss all of you just sooooooooo much. Everything that i did with you were just in my mind...

I miss the time that i was so surprised that you guys could be in such relaxation liying on the ground in a roll which was so funny, and you girls and boys; big kids and little kids, are so much closer to each other than i ever did in my life.

In US and Europe countries, "having fun" and "relax" logic is so unique to me, that i was under great pressure all my life in the past 18 years (1990-2008: primary school, secondary school, till college till work right now).

You guys are so confident, too! When i was in "hometeam" with Jeremy, Jen, Ammar, Madoka, Gaby, Mariana, Shanna, Kanto, Critina, Susan, (who else? tell me if i missed any one here!!), i remembered the first days that we talked in Auraria campus, we introduced ourselves to each other, we play game: true or false guessing game that we discribed several things of ourselves, and let people choose the right thing, that in this way we got to know much faster of eacher other.

I think I have more connections with you guys even more than other native chinese that i was brought up with. Through all colors of your eyes, diamond blue, soil brown, grape green... i could see your heart, and could also put my heart into your beautiful trustworthiness.

I feel so standing on the ground with sharing with you.

I'm here having a question: Do you guys really really, truely truely feel that the "uppies" are different from people outside the group? I mean, I cannot communicate with other chinese about our special experience, i think it is because of strong culture difference: not many people like me, that feel so strong of being closer & intimate towards another culture other than the culture that we were born into. So as most of you guys are from US & EU, do you find it hard too? Any communication problems with sharing your experience?

Oh la la...

From when I was back home, till now, 13 months already, i was showering in the wierdness of not being with you guys. When I was trying to act as confident as being in our group, there was even no respond... I want so badly of sitting / lying on the floor having lunch with you guys, fighting on the carpet in the church, dancing and singing together...the best song that i learn was in that big mirror room, that Yasoyo taught me Hanamizuki, that i still can sing the whole song of it. & Whenever i was lonely, I'd love to sing it on the street, with all colors of leaves falling, and with lovely sunshine...

I also remember that I played piano in that dancing room, it was an old piano, with a very simple old wooden chair, before dancing rehearsal, i played Chopin Etuden No12, the 2 min. revolution piece that i practised for months before coming to US. After my not very professional playing with not very mature skill, you sweet guys screemed and told me that it was beautiful. You were so many people that watching me, & at that I was so very shy, the warm reaction of you guys made me so happily scared...

You just don't know how much that I wish to see all of you again. I'm a little pesimistic about it, since i don't quite believe that all of us could ever gather together again, and I even not sure about myself being able to make meeting with you again...

I know that the world is small, that we can fly wherever.

I'm like a little pink flower that with you guys as the soil, i can blossom to be having elegant small petals, with full confidence head-up under the sun.

With you guys i know that anything that looks impossible, will become possible if we really put our hearts into.

Hugs and Kisses to every single one of you...

Yours, (i really mean "cindy belongs to you", like a drop of water in the sea)

cindy
06 julio

J'aime le francais!!

Aujourd'hui il est jeudi. C'est la premiere fois que je pense mon restauU dans mon coeur.
Je l'aime beaucoup! J'aime le television et TV5 est le plus parfait, parce que j'aime le francais!!!
Je ne sais pas tres bien parler Francais, mais j'ai du courage de l'etudier bien! 
J'ai envie d'etudier toute les choses a l'egard de France!
OK, maintenant, je suis tres fatiguee et j'ai envie de dormir!
Bon nuit!
Je t'aime ma musique, mes livres, ... , comme le francais!
Cygne Noir
 
 
02 junio

La Class du Piano, Oh la la...

It is so nice on recalling the lessons!

(因为对音乐的一些表述不是很熟悉,所以很多东西不能在上课的时候对你有一个立刻的反应:下课之后一直回味到今早,睡觉做梦都没放过,自认为悟出了一些东西,希望你觉得我领会到了你讲的全部内容,我哪里想错了的话也告诉我吧!Thanx!)

1. 我明显觉得上课容量增大很多,谢谢!但愿我能把该做到的地方完成的很好。

2.《少女的祈祷》真好听!我也想弹。(就像听森林里的小鸟叫)呵呵。

3. 谢谢你想办法帮我找听众!虽然表现不尽人意,但感觉是好多了。

4. 你说的“浮躁”意思是:练琴的时候没有把细节用很高的质量一个一个磨出来,而是从头弹到尾。是我习惯不好,一定改正。E.g. 肖邦的革命,左手听起来声音没有上周的扎实。上周单练左手的时间确实很不够,你真厉害,一听就有问题了。呵呵。At the same time , 我会把过去一个月学过的东东再重新从头到尾检查的,Merci。

5. 贝多芬的月光,你没给我做示范我完全能理解。其实你用车尔尼做例子,我明白了你的意思就足够了。Every road can lead to Rome.

6. 月光的第一乐章:是不是不论什么时候都要保持你教我的姿势?(I think so, but still want to confirm). Question 1/2

7. 月光第二乐章:你讲的“没对上”意思是拍子没对上,你叫我用节拍器以后我才明白。我以为是左右手没对上,还纳闷了好几天,呵呵。

8. 月光第三乐章:你说人脑对机械性的声音esp. 不断重复的声音(e.g. 钉钉子)有特殊的敏感,而且讨厌。我练月光都那么久了,为啥不觉得烦躁呢?是不是我已经麻木了呢?这样对音乐的敏感度会不会有不好的影响呢?(Question 2/2

9. 随便从哪个音开始弹:好怪异啊。

10. 比较长的休止符(stop)前面通常会有一点点rit(渐慢)。(This is new to me!)

11. 你上课所有的imagination都很吸引人,而且联想意义特别好!要是我们学业课的老师能这样教,那大概没有学生会逃课的。我从大一逃课到毕业,就觉得老师太无聊,我宁可自己在宿舍,对着电视,哇啦哇啦翻译英语新闻,也不想上课,因为效率太低。Danke。

14 mayo

Musique

It is so good to have you as my new piano teacher, sister!

I am very excited in listening to you! For you have lovely imaginations, to tell interesting stories, which I think is the most important thing to become a good musician. Now I’m consider you as my advanced English reader, and I’m going to write the things on my mind that I’m curious about, especially in music~!

Well, since my logic is not that regulated, I’ll just say anything that I would like to, and then, another thing that maybe has something to do with the former one, or maybe not, ha-ha.

I asked my supervisor in e-mail today, to check if she can be your language partner, with your piano lessons as an exchange. She has not replied yet, so please be patient and wait. I’ve thought this over: if she cannot be your language exchange partner, I can continue to ask my other international friends to help, especially the ones who speak English as their mother tongue. There will always be hopes! If the worst case happened, and there isn’t anyone helps, maybe I can be your language partner, to use some books and to choose some topics to practice your English, I’m confident about that! For I was an English teacher before, and have been teaching some students even older than myself! Although I don’t want to become a teacher in the future, I like tutoring quite well! The thing that you can exchange with me is your music thoughts, which to me can be the most interesting thing, for instance: you can tell me in English which composers do you like the most and why; also, maybe we can discuss something in an opera, the characters of the heroes in a certain piece of music, so on and so forth!

When I was in my freshman year, I rode my bicycle to the Great Hall of the People once, to watch the ballet dance. It was the first time for me to enjoy ballet, the dancers were from Belarus. They were so very beautiful, and I was like an ugly duckling to see them. When I rode back to my dorm, it was already mid-night, and on the way the wind was huge, for it was January second. But I was far too excited on seeing this show! I even could not go to sleep that night! I like the Russian style of music very much, esp. Tchaikovsky, because his works sounds so elegant, so beautiful.

When talking about music tastes, I heard that there are three stages: to be compared with an egg, the stages should be: one (bottom), “shell”; two, egg white; three (deepest), yolk. I think that I’m about to go to the second level (but not quite yet). So please lead me into “yolk”, I know you are there. (Oh yes, the program that I participated in as an international studying tour needs me to send them the MP3 of the piano piece which I play the best. So I want to choose the Opus 10 (Revolution) of Chopin Etuden. The due time is around May 24, I think there is still time to practice! )

So talking about the “yolk” level, what do you think is the best way to achieve? Read relative books or other items of information both domestically and internationally; practice hard on piano; listen to more classical interpretations in concert halls and from on-line MP3s; think more; experience more… it is always easier said than done!! What was your method of raising the musical taste during your college time? It interests me a lot!

You don’t know how much I wish to become a professional musician! But it seems quite impossible for me right now, for I really have to hunt a job according to my English major. At home, people will get annoyed when I play for “too” long a time period, and both of my mother and grandma will ask me to practice English-Chinese or Chinese-English translation and interpretation harder than piano because that will become my future career. The society needs more foreign language calibres than musicians, that is quite understandable, and I’ll not give up my English major, after all it is a very nice tool in earning money. But there are still dreams within myself to approach the music world.

In many people’s mind, I’m a strange girl who always does impossible things. And it seems that no one understands me and supports me at this point (I mean at least practice piano 6 hours a day). My friends and family think that this is ridiculous and hold the opinion that the music path of career is too narrow to grow, and for a girl, it’s too tiring and bitter. But the very questions are always on my mind: why someone else can become very great pianist and give performance on the stage; why they can bear the loneliness and hardship and after many many years of struggling, they become successful musicians; why someone is forced to practice piano while I’m forced not to???

I envy you to be born in a music family, and can be able to learn from your mother and grandma. Also you can graduate from a music conservatory, I really am jealous!! (Although I still love what is all I have). Well, I am appreciative of the time when I was very young, my parents could buy me an expansive piano (for more than four thousand RMB in the year 1989) when non of them know western classical music, and they found a tutor for my piano lessons for more than eight years; without them, I might know nothing about music and I’ll have no dream of being a musician at all. Now I’m having your classes, I did not tell my mother because I don’t want her to worry about my daily schedule: if I take piano classes, I have to play for the whole afternoon everyday, and it means that I cannot go job hunting. This was my biggest headache before I gave you the first telephone call. But I chose to call you and chose to not to do any job right now. If I go to work, there will be definitely no time for piano, I’m sure. Still, I’m happy with my decision though. I really had a great time having your lessons.

These days have been hard. Since my enrollment package from the global group arrives, and now I have to be busy with visas applying. The type of visa for me will be B-2, and when going to the US embassy, they need many documentations and certificates to tell them that I’ll be back to China as soon as the program finishes. These processes drive me crazy! Today there were only 2 hours for me to be in the musical instrument store to practice, but before I went there I was in a very bad mood, while after coming out, I was happy again! I like the rhythm in the Chopin Etuden when using the metronome very much. Also when playing Liszt’s “La Campanella” (the clock), it brought me back to the best reminiscence in my life. And once I played tarot card, I asked “God” (although I’m not a Christian), on how to play the piece, ‘He’ told me that: “It clarifies your heart’s desire! The judgment signifies standing in fire, stripped of all pretenses; breaking free of bonds; reconciling past harm, given and received; looking back and forward from the still point of transition(变调). This is a time to examine your feelings, a time when you face the consequence of past actions and experience a sense of uneasiness. This is an opportunity to make peace, and move into a greater perfection of mind and soul. Open your mind and soul for new ideas which will become available after transcending this moment!”

I really am passionate about all the pieces I played before: after more than four years of practicing Beethoven’s Sonatas No.8, No.14 and No.23, although not very well done, every time I can be lost in his world. Every time in practicing, I play the whole three movements from the beginning till the end, and never got exhausted. Only the process of starting a new piece of work is difficult: because I know too little of the denotations in music, and my abilities of reading music is not quite high.

OK, that’s all for today! I really wish that you can enjoy my writing!

 

 

04 mayo

Cygne Noir (Black Swam)

 

    最喜欢的磁带是一盘很老很老的交响乐(上海交响乐团的小品集),封皮上还被姥姥贴了“33”号,因为原来在她一大抽屉的磁带里,它排行第三十三。从小到大,我最喜欢听着它入睡。现在也是一样,失眠的夜里,只要听着这些曲子,我就能安然进入梦乡。只是现在磁带里里外外已经变得沧桑了好多。但不论如何,里面美妙的声音永远都那么让我感动,感动过后,我便能进入一种心灵的安静状态。每一首曲子都像陪着我长大的好朋友,像妈妈那样,在我失落,焦躁,困惑的时候安慰我,搂着我,亲吻我。
   
舒曼的梦幻,大提琴齐奏。其实除了钢琴我最喜欢听的就是大提琴,声音很浑厚,还带着一点点的忧伤。很温柔。一听到便能勾起记忆中的种种往事。楼下的小院子,青青家的葡萄架,小花园,还有那些小时候的小朋友......现在虽然他们已经各奔东西,但童年已经在我心里打下的深深烙印:孩子永远是最快乐的。所以不管未来会遇到什么样的波折坎坷,只要在偷闲的时候再做做小孩子,也是一件让人高兴的事。我真的很感谢命运能够给我这样一个无忧无虑的童年,这是我一辈子的财富!
   
圣桑的天鹅,(管弦乐加钢琴)。一直希望能像黑色的天鹅一样高贵,自由,wild。总能想像这样的情景:一只黑天鹅在静静的湖面上游着,它的倒影清晰地映在水中,水面如镜。它和它的倒影连在一起,构成一条优雅的曲线。湖边柳枝低垂,天空艳阳高照。忽然,它的红掌拍水渐起片片涟漪,展翅飞向太阳...... “白,是点染前的纯洁;黑,是洗尽铅华后的本真。之所以喜欢黑色的天鹅,就因为如此。我自认为自己活得很真实,因为一直在追求心中真正想要的东西。也许我会为了梦想暂时屈就一个不属于我的职位,呆在一个我并不想久留的地方,但我终究会离开,去找到自己生命的意义。
   
舒伯特的小夜曲,萨克斯管独奏。萨克斯对我来说很陌生,大概因为在爵士乐里经常听到,而我又不常听爵士吧。反正没见过哪一个古典交响乐团里配萨克斯的,总觉的它是孤独的。它很浪漫,大概孤独也是一种浪漫。今天雨下的很大,宿舍里只有我一个人。我就在这样的晚上又听到了舒伯特的小夜曲。算是跟它有缘吧,小夜曲刚刚响起,我就觉得好像自己又被音乐的使者送上了一束玫瑰花。
   
瓦格纳的婚礼进行曲,圆号合奏。我从小到大对婚礼有着无穷无尽的幻想:中国式的,新娘坐花轿,红色的衣裙,红色的花轿,红色的喜糖,红色的新郎,红色的洞房,敲锣打鼓放鞭炮,怎一个热闹了得!西方,新娘穿着白色的婚纱,头上戴着漂亮的花环,缓缓在教堂中央的红地毯上走向等在圣坛前的新郎,互换戒指,说着永远经典的一句话:I do。我更喜欢西方的婚礼。不因为不喜欢中国传统,而是因为太热爱西方的古典音乐。音乐是没有国界的,但愿我喜欢的曲子能在自己的婚礼上奏响。因为不是基督教徒,所以梦想着未来,能有一种既中又西的方式嫁给自己喜欢的人。
   
格里格的苏维尔格之歌。听起来有点像俄罗斯船歌,其实我非常非常喜欢这首曲子,但我真的不知道应该怎么表达这种喜爱。曲子里面蕴含着一种很柔韧的力量,让人觉得不管黑夜有多漫长,第二天清晨的太阳还是会高高的升起。尤其是中间比较欢快的几句,虽然没有前后乐句那样有使命感,却能让人相信快乐和希望的力量的无穷的。其实所有的评价在音乐面前都显得苍白无力,因为音乐本身才是值得我们去追求的东西。
   
勃拉姆兹的摇篮曲,萨克斯管独奏。记得第一次与这首曲子亲密接触是因为我家的门铃就是这首曲子。那门铃只要外面的客人一揿下去,屋里头马上会把这个曲子从头到尾唱一遍,特别长!辛苦那可怜的门铃,它要唱好久才能停下来。就这样,我成年累月地把这曲子听了一遍又一遍,因此印象特别深刻。现在大概没有唱的那么执著的门铃了吧。我很想念它。哪个好心的朋友读到我这文章,又碰巧有这样的门铃能唱这首歌,就把它送给我吧!我会感激不尽的!呵呵。
   
海顿的玩具交响乐(快板)。太可爱了!里面模仿布谷鸟闹钟报时的声音:布谷,布谷,还有用哨子吹出的其它小鸟叫;还有手摇铃,三角铁,木琴......各种小玩意加上交响乐合奏,好像几十种玩具的大集合,众妙必备,令人童心大发。其实不管岁数有多大,不管是男是女,都应该悄悄给自己身边放一个玩具,时时冲它笑笑,亲亲它,摆弄一下,会很开心的!我最喜欢的玩具是艳青在我生日时送我的一只小熊,我天天抱着它睡觉,现在没有它都不行了!我也想给妈妈买一个。
   
我喜欢的曲子永远也说不尽道不完。只希望能够知道更多更多的古典音乐和其中的故事。但愿能在这条爱乐之路上一直走下去,岁岁菩提。

 

01 mayo

La vie en rose

很充实,很快乐,很忙。
忙自己应该忙的,喜欢忙的事。
这几天在等一封很重要的信, 日本的Tomita说,要五月四号以后才能收到。因此现在急也没用。
到应该写论文,然后读好多书。“三日不读书便觉面目可憎”,我想我现在应该可恶至极了。
大学快毕业了,很高兴以后终于能换一种方式生活。其实大家这段时间都很浮躁:什么样的工作,多高的薪水,多好的待遇,公司里云集了多漂亮的帅哥美女,so on and so forth。因此我决定,逃走。
“三十六计走为上”
逃走不完全等于回避困难, 甚至对我而言,它更是挑战和风险。我以抛弃可能即将得到的优越条件为赌注,去追求那种心中渴求已久的,狂放的自由,那种全新的人生历程。
我总会有一种使命感在驱动着那颗不安分的心,就像一只着急的小猫,看着篱笆另一边的小老鼠,一心想着跳过篱笆把它捉到。
比喻也许有失恰切,但猫儿在我眼里是最最聪明灵异的生命。看它的眼睛就似乎能洞穿人生的喜怒。
这话也许只有爱猫的人才能明白,也许只有我自己在自作多情。
再回到现实,我认为再怎么忙于奔命,心里也还是应该保持一种闲适。就如苏东坡的《定风波》:"莫听穿林打叶声,何妨吟啸且徐行。竹杖芒鞋轻胜马,谁怕?一蓑烟雨任平生。..."
总之,应该少说话,多读书,多思考。
人生也就不过几十年光景,所以梦想一定要实现。否则抱憾终生。
别人会叫我Crazy Girl,我爱听。
27 abril

La Musique Fantaisie de Cindy

         我完全不能适应这种网上日记的记法!居然要打汉字,一个一个打上去!简直像绣苏绣,一针一线,花鸟鱼虫!我刚读过Alieen的Blog,写的好好啊!我大概就没有她的文字天赋!Alieen你身为女生,为什么写什么都那么理性?我这个情感泛滥的人是理解不了啊!呵呵。
         昨天上了钢琴课,好高兴啊!终于又有人教我了!我盼了十年了!老师居然能听着我弹的东东说出我的性格!
         他说我:力量从头到尾冲得不得了,没有variation;感情充沛得不得了,一首贝多芬的《月光》第一乐章弹下来,就像从头到尾在“号啕大哭”,哭的别人莫名其妙。我哭的时候就是这个样子,哈哈哈。他上课跟我说这些话时,我笑得都喘不上来气了!有人批评其实是件幸福的事!!
         老师说我可以在以后挑战女生能力限度之上的曲目,比如李斯特,拉赫玛尼诺夫!如果是真的,我一定试一试!李斯特的曲子太美了!比如《钟》(当然这是他改编帕格尼尼的曲子,但没有他改编我就没法弹了呀),比如《塔兰台拉》,既温柔又阳刚,还有《匈牙利狂想曲》中的一首,我更是从小到大听见就会很感动!
上次错过了俄罗斯梅赞诺夫的肖邦钢琴演奏会,因为86岁的老先生病了。也不知道今生还有没有幸聆听他的Interpretation!!
我真的不喜欢法律,不喜欢经济,不喜欢金融,不喜欢流行歌曲,不喜欢港台电影电视剧,不喜欢帅哥,不喜欢化妆品,不喜欢在学校上课,不喜欢聊天。。。。。。
只喜欢钢琴!
只喜欢钢琴!!
只喜欢钢琴!!!

20 abril

I actually don't like this On-Line way

I don't like this on-line diary-writing way!
For I just wrote a lot of wishes and regards to my friends here, but the system failed to enter, so I wasted a lot of time, and the nice things I wrote are gone.
OK, just try another time!

20 marzo

Cindy的印象派文字游戏

蝶恋花.无题(倒)

娇人美艳红依依,翠环清水碧。连连箫笛绕舞乐,音琼巧身飞云彩絮飘。灵空碧风驰鹤白,柳岸青魂断。兰玉绦丝浸泪花,梦醒妙意春峭料寒朝。

 

Cindy的印象派文字游戏

蝶恋花.无题(正)

朝寒料峭春意妙,醒梦花泪浸。丝绦玉兰断魂青,岸柳白鹤驰风碧空灵。飘絮彩云飞身巧,琼音乐舞绕。笛箫连连碧水清,环翠依依红艳美人娇。

Cindy的印象派文字游戏

无题(之三)
娇人美艳红依依,
翠环清水碧连连。
箫笛绕舞乐音琼,
巧身飞絮彩云飘。
灵空碧风驰鹤白,
柳岸青魂断兰玉。
绦丝浸泪花梦醒,
妙意春峭料寒朝。

Cindy的印象派文字游戏

无题(之二)
妙意春峭料寒朝,
醒梦花泪浸丝绦。
柳岸青魂断兰玉,
白鹤驰风碧空灵。
巧身飞云彩絮飘,
琼音乐舞绕笛箫。
翠环清水碧连连,
依依红艳美人娇。


Cindy的印象派文字游戏

无题(之一)
朝寒料峭春意妙,
醒梦花泪浸丝绦。
玉兰断魂青岸柳,
白鹤驰风碧空灵。
飘絮彩云飞身巧,
琼音乐舞绕笛箫。
连连碧水清环翠,
依依红艳美人娇。

19 marzo

I'd like my friends to know more about me!

Although too young to understand life, at the age of three, when people asked me, “Who are you going to be in the future?” my answer was “diplomat”. For my grandmother is a translator and interpreter, and had been to many beautiful cities in the West, like Milan in Italy, and Copenhagen in Denmark etc. (people rarely travel abroad at that time), she had great impact on me. For she taught me English when I was two years old, and when the age of five she hired a piano tutor to teach me western classic music; also, she brought me beautiful western dolls and picture books of palaces built in Baroque and Rococo style, and post cards that shows cultures of Christianity which were so very amazing. So from that time on, I was dreaming of seeing the outside world.

At primary school, my English was one of the best among the 60 children in my class, and was chosen to become the assistant of my English teacher, which was really a great honor to me.

My secondary school was called Changchun Foreign Languages School, I studied English there, and had some experience of communicating with international teachers and friends. I felt extremely happy when exchanging ideas with them. That was my initial sense of becoming a person who can do contributions to Chinese international affairs outside the government.

Then, thanks to my painstaking efforts in studying English, I was recommended for immediate admission towards Beijing Language and Culture University (BLCU), which is having a pet name of “the little UN”; in the English major. I think I’m approaching my childhood dream nearer and nearer; step by step. In addition to many activities that cooperating with people from around the world, and having great memories, at “Teaching Chinese as the second language” program held by both BLCU and Colombia University in the US, being a teacher of Chinese language and culture, I learned many communication skills in dealing with sharp-minded and curious American college students. I felt a sense of mission of sticking to the “One China Policy” when talking about a certain sensitive issues; and I also studied a lot more about Chinese culture and feeling more proud of our mother nation than ever before; my teaching skills is therefore promoted to a higher level, too.

 
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